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Flemish arrangements (1600–1750) The baroque arrangements in the Dutch-Flemish style were more compact and proportioned. Their major characteristic was the variety of flowers within the bouquet. French arrangements (1600–1814) During the French Baroque period, a soft, almost fragile appeal became a major characteristic of floral design.
Although space-filling curves have a long history in China in motifs more than 2,000 years earlier, extending back to Zhukaigou Culture (c. 2000 BC – c. 1400 BC) and Xiajiadian Culture (c. 2200 BC – c. 1600 BC and c. 1000 BC – c. 600 BC), frequently there is speculation that meanders of Greek origin may have come to China during the time ...
Rhodian Geometric oinochoe by the Bird and Zigzag Painter, 740/720 BC. Paris: Louvre. East Greek vase painting was a regional style of ancient Greek vase painting, produced by the eastern Greeks (Ionia and the islands of the eastern Aegean Sea). In spite of the region's wealth, the pottery was rather unremarkable in comparison to other areas.
The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of black-figure and red-figure painting, the other colour forming the background in each case ...
Ancient Greek fleuron as an anthemion (Greek word for flower), c. 350 –325 BC, marble, Metropolitan Museum of Art, New York City Ancient Greek Corinthian capital with a fleuron on the abacus , from the tholos at Epidaurus , said to have been designed by Polyclitus the Younger , c. 350 BC, stone, Archaeological Museum of Epidaurus , Greece [ 3 ]
One of the earliest appearances of the rosette in ancient art is in early fourth millennium BC Egypt. [2] Another early Mediterranean occurrence of the rosette design derives from Minoan Crete; Among other places, the design appears on the Phaistos Disc, recovered from the eponymous archaeological site in southern Crete.
Ovid (Publius Ovidius Naso, 43 BC – 17 AD) was also familiar with narcissi, in his recounting of the self-loving youth who is turned into the flower, in the third book of his Metamorphoses l. 509 "croceum pro corpore florem inveniunt, foliis medium cingemtibus albis" [57] (They came upon a flower, instead of his body, with white petals ...
There was an international market for Greek pottery since the 8th century BC, which Athens and Corinth dominated down to the end of the 4th century BC. [12] An idea of the extent of this trade can be gleaned from plotting the find maps of these vases outside of Greece, though this could not account for gifts or immigration.
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