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World of Warcraft Classic is a 2019 massively multiplayer online role-playing game developed and published by Blizzard Entertainment.Running alongside the main version of the game, Classic recreates World of Warcraft in the vanilla state it was in before the release of its first expansion, The Burning Crusade.
On May 9, 1964, Tongyang Radio was launched, and on December 7, 1964, Tongyang Television (with headquarters in Seoul on VHF channel 7, call sign HLCE-TV [4] followed by a branch in Busan on channel 9 on December 12, 1964) under the name JBS, [5] [6] on January 15, 1966 it changed from JoongAng (Central) Broadcasting Co., Ltd. to Tongyang Broadcasting, [7] [8] and on August 15 of the following ...
Shaman is the common English translation of Chinese wu, but some scholars [2] maintain that the Siberian shaman and Chinese wu were historically and culturally different shamanic traditions.
Joseph Smith: The Prophet of the Restoration is a 2005 film that focuses on some of the events during the life of Joseph Smith, founder of the Latter Day Saint movement, which was both filmed and distributed by the Church of Jesus Christ of Latter-day Saints (LDS Church).
Ritual is the debut album by the Brazilian heavy metal band Shaman. It was first released in 2002, and it is a concept album about many cultures, mainly indigenous cultures and shamanism . The album has sold over 500,000 copies worldwide since its release [ 1 ] and appears on the list Top 100 Power Metal Albums of All Time by metalstorm.com. [ 2 ]
The taegeuk symbol, representing the cosmos, is often displayed on the exterior of guttang, or shrine-buildings in the musok religion.. Korean shamanism, also known as musok (Korean: 무속; Hanja: 巫俗) or Mu-ism (무교; 巫敎; Mugyo), is a religion from Korea.
The Sith Lords Restored Content Modification (TSLRCM) is a fan volunteer effort to reinstate or recreate unused content for the 2004 video game Star Wars Knights of the Old Republic II: The Sith Lords and fix a vast number of technical issues present in the retail release of the game.
In 2011, director John Musker started reading about Polynesian mythology and decided that Māui was an ideal focus for an animated story. [2] Ron Clements said that Māui was the inspiration for the film, being a mythic demigod and larger than life figure who is found in many cultures of the South Pacific in different variations and therefore seemed like the perfect focal character. [3]