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Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. [1] Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used ...
Brubaker began as an expert in Byzantine illuminated manuscripts, writing a pathbreaking book on one manuscript, Paris Grec. 510, in her Vision and Meaning. [11] Her interests have extended since to the cultural history of Iconoclasm and the development of the cult of icons, on which she wrote two now-basic books on the subject with John Haldon. [12]
Macedonian art is the art of the Macedonian Renaissance in Byzantine art style. The period in which the art was produced, the Macedonian Renaissance, followed the end of the Byzantine iconoclasm era lasting from 867-1056, concluding with the fall of the Macedonian dynasty.
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons.
Despite the teaching about icons defined at the Seventh Ecumenical Council in 787, the iconoclasts began to trouble the Church again. After the death of the last iconoclast emperor, Theophilos, his young son Michael III, with his mother the regent Theodora, and Patriarch Methodios, summoned the Synod of Constantinople in 843 to bring peace to the Church.
The icon references the overcoming of the Byzantine Empire’s Eastern Orthodox faith from the dominance of the Islamic faith and the Byzantine Iconoclasm in 842. [2] Shown in the icon's composition are important figures such as the Virgin Hodegetria , her child Jesus , and eleven saints and martyrs associated with the Triumph of Orthodoxy. [ 3 ]