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2. Altered chord - Wikipedia

   en.wikipedia.org/wiki/Altered_chord

   By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional ...

3. Chord substitution - Wikipedia

   en.wikipedia.org/wiki/Chord_substitution

   If the original chord in a song is G7 (G, B, D, F), the tritone substitution would be D ♭ 7 (D ♭, F, A ♭, C ♭). Note that the 3rd and 7th notes of the G7 chord are found in the D ♭ 7 chord (albeit with a change of role). The tritone substitution is widely used for V7 chords in the popular jazz chord progression "ii-V-I".

4. Diminished major seventh chord - Wikipedia

   en.wikipedia.org/wiki/Diminished_major_seventh_chord

   Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh.They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura [citation needed], especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same ...

5. Tritone substitution - Wikipedia

   en.wikipedia.org/wiki/Tritone_substitution

   Since it is the dominant chord a tritone away, the substitute dominant may resolve down a fifth, to a tonic chord a tritone away from the previous tonic (for example, in F one may feature a ii–V on C, which with a substitute dominant resolves to G ♭, a distant key from F). Resolution from the substituted chord to the original tonic is also ...

6. Diminished seventh chord - Wikipedia

   en.wikipedia.org/wiki/Diminished_seventh_chord

   In this role, a diminished seventh chord resolves to a major or dominant seventh chord whose root is one of the notes of the diminished seventh chord (common tone), the most common being the raised supertonic seventh, which resolves to the tonic in major keys (♯ ii o 7 –I, shown below) and the raised submediant, which resolves to dominant ...

7. Category:Altered chords - Wikipedia

   en.wikipedia.org/wiki/Category:Altered_chords

   Pages in category "Altered chords" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. Altered chord; D.