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The actor can pull down a mask which has previously been hidden on top of their head, changing their face to red, green, blue or black to express happiness, hate, anger or sadness, respectively. Face-dragging (Chinese: 抹臉) The actor drags greasepaint hidden in their sideburns or eyebrows across their face to change their appearance. [8] [9]
During the Yuan dynasty (1271–1368) red and white facial designs were used in opera to distinguish good characters from bad ones. After the 14th century, facial patterns multiplied, and new colors have been introduced. [2] Peking opera now boasts 15 basic facial patterns, but there are over 1000 specific variations. Each design is unique to a ...
Peking opera is performed using both Classical Chinese and Modern Standard Chinese with some slang terms added for color. The social position of the character being played determines the type of language that is used. Peking opera features three major types of stage speech (nianbai, 念白). Monologues and dialogue, which make up the majority ...
As a result, women were playing increasingly important roles on stage. [2] But Peking opera has been characterized by female impersonation for years, male dan actors were viewed as irreplaceable by female actors. [2] In Peking opera, the famous Dans are Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun, and Xun Huisheng, all men. [3]
Nuo theatre is a kind of folk dramatic art that originated from folk religion. [4] In the Analects of Confucius, "villager Nuo" (or village Nuo) was mentioned.The Lüshi Chunqiu mentions that there was also a custom that whenever there was a celebration, grand Nuo (or royal Nuo) would be a necessity.
The so-called 'Mask of Agamemnon', a 16th-century BC mask discovered by Heinrich Schliemann in 1876 at Mycenae, Greece, National Archaeological Museum, Athens The word "mask" appeared in English in the 1530s, from Middle French masque "covering to hide or guard the face", derived in turn from Italian maschera, from Medieval Latin masca "mask, specter, nightmare". [1]
"White-haired Girl" is a new national opera that combines poetry, song and dance. First, the structure of the opera plot, the division of the traditional Chinese opera, the scene changes, diverse and flexible. Secondly, the language of opera inherits the fine tradition of singing and singing in Chinese opera.
Beijing opera costumes, 2012. Beijing opera was created in 1790 during the reign of the Qianlong Emperor in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. [3] The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty's hanfu-style clothing.
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