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Optonica amplifier (SM-3636) and tuner (ST-3636) from 1978. The Optonica brand was created and first launched by Sharp of Japan in 1975 to compete in the high-end audio market along with established brands such as Sansui Electric, Sony, Panasonic, Sanyo, Yamaha, Nakamichi, Onkyo, Fisher Electronics, Technics (brand), Pioneer Corporation, Kenwood Corporation, JVC, Harman Kardon and Marantz.
Electronic tracking, aided with the two photodiodes at the sides, keeps the laser beam centered on the middle of the data track. Two types of optical tracking mechanisms exist: The swing-arm mechanism, originally designed by Philips [55] – the lens moves at the end of an arm, in a manner similar to the tone arm assembly of a record player ...
The SL-10 was the first linear-tracking turntable to feature direct drive, a Technics innovation dating back to 1969 with the SP-10 Mk I. The SL-10, along with its fully programmable stablemate the SL-15, was able to penetrate the consumer electronics market much more effectively than any preceding linear-tracking turntable, and it spawned a wave of imitators throughout the 1980s, along with ...
The video heads are made of Mn-Zn ferrite material, those used for recording have a gap of 0.7 microns and a width of 80 microns and those for playback have a gap of 0.35 microns and a width of 70 microns. It records audio on 3 linear tracks, and control signals on a linear track.
It features a linear tracking tonearm with an optical sensor that allows for the kind of track-skipping more typical of CD players. The sensor also detects the size of the record sitting on the platter (7-inch, 10-inch, or 12-inch), which allows the needle to drop precisely on the first track. [1]
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The World Record Controller was an attachment for ordinary record players that slowed the turntable down when playing the outside of the record and allowed it to gradually speed up as the needle was carried inward by the groove. Of course, only special World records could be used. The World system was a commercial failure.
Deconstruction chose sharp turns, unidirectional movements, and disjointed connections, because in place of music, the visual arts and film provided important frameworks for songwriting.
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