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Loudness monitoring of programme levels is needed in radio and television broadcasting, as well as in audio post production.Traditional methods of measuring signal levels, such as the peak programme meter and VU meter, do not give the subjectively valid measure of loudness that many would argue is needed to optimise the listening experience when changing channels or swapping disks.
Michael L. Dorrough (born January 1942), American inventor and audio engineer regarded as the “father of multi-band processing.” He is the founder of Dorrough Electronics and inventor of the Discriminate Audio Processor (DAP) in 1973, and the Dorrough Loudness Monitor.
However, the reading from a sound level meter does not correlate well to human-perceived loudness, which is better measured by a loudness meter. Specific loudness is a compressive nonlinearity and varies at certain levels and at certain frequencies. These metrics can also be calculated in a number of different ways. [4] [example needed]
In a loudness meter implementing EBU Mode: Reference level = −23 LUFS = 0 LU A programme with an integrated loudness of −26 LUFS measures −3 LU in EBU Mode (i.e. is 3 LU quieter than the target level). LRA Loudness Range [8] A statistically determined value that describes the loudness variation (dynamics) of a programme.
The main instrument for measuring sound levels in the environment is the sound level meter. Most sound level meters provide readings in A, C, and Z-weighted decibels and must meet international standards such as IEC 61672-2013.
Loudness units relative to full scale (LUFS) is a synonym for LKFS that was introduced in EBU R 128. [ 10 ] The EBU has suggested that the ITU should change the unit to LUFS, as LKFS does not comply with scientific naming conventions and is not in line with the standard set out in ISO 80000-8.
A graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio). A-weighting is a form of frequency weighting and the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level. [1]
Newer types of meter do, and there is now a push within the broadcasting industry to move away from the traditional level meters in this article to two new types: loudness meters based on EBU Tech. 3341 and oversampling true PPMs. The former would be used to standardise broadcast loudness to −23 LUFS and the latter to prevent digital clipping ...
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