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The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in between the early 1860s and mid to late 1890s, [1] centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Novellas are works of prose fiction longer than a short story but shorter than a novel. Several novellas have been recognized as among the best examples of the literary form. Publishers and literary award societies typically consider a ...
Shakespeare's standard poetic form was blank verse, composed in iambic pentameter with clever use of puns and imagery. In practice, this meant that his verse was usually unrhymed and consisted of ten syllables to a line, spoken with a stress on every second syllable. The blank verse of his early plays is quite different from that of his later ones.
As such, absurdist literature and theatre of the absurd often includes dark humor, satire, and incongruity [110] [111] Jean-Paul Sartre, Samuel Beckett, Arthur Adamov, Albert Camus, Imre Kertész, Gao Xingjian: The Movement: A 1950s group of English anti-romantic and rational writers [112]
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
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A style guide, or style manual, is a set of standards for the writing and design of documents, either for general use or for a specific publication, organization or field.
For Shklovsky, the plot is the most important feature of a narrative as he claims that there is a distinctive difference between ‘story’ and ‘plot’. The story of a narrative entails the normal temporal sequence of events whereas the plot is a distortion of the normal storyline and thus associated with defamiliarisation (Williams 2004, p ...