Search results
Results from the WOW.Com Content Network
The Black Lunch Table (BLT) project will host an edit-a-thon focusing on important but underrepresented women visual artists of the African Diaspora from 11:00 am – 4:00 pm EST on Saturday, March 10, 2018 at The Triangle Arts Association. A training session will be held at the beginning, but help is available throughout the event.
Womanhouse (January 30 – February 28, 1972) was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts Feminist Art Program, and was the first public exhibition of art centered upon female empowerment.
A programme of theatre, film, music, poetry and dance accompanied the visual art exhibition. [1] Black Women can be seen as an "active community of artists". [1] Himid had earlier curated the work of several of the same artists at 5 Black Women, a smaller exhibition at the Africa Centre. [3]
Some African-American women were also active in the feminist art movement in the 1970s. Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [54]
Elsa Honig Fine first proposed a journal on women and the arts at a 1979 meeting of the Women's Caucus for Art. [3] She founded Woman's Art Journal in 1980. Fine wrote that the original goals of the journal were "documenting women artists who were celebrated during their lifetimes but are now lost to art history, looking at the art of the past through a feminist lens, and reviewing the ever ...
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
The effective dose is the risk of radiation averaged over the entire body. [4] Ionizing radiation is known to cause cancer in humans. [4] We know this from the Life Span Study, which followed survivors of the atomic bombing in Japan during World War 2. [5] [4] Over 100,000 individuals were followed for 50 years.
"Amalia Amaki: Boxes, Buttons and the Blues," an exhibition including 80 mixed-media works, resulted from a collaboration between the National Museum of Women in the Arts and the Spelman College Museum of Fine Art. It opened In Washington, D.C. at the National Museum of Women in the Arts where it was on display June 10-September 25, 2005 and ...