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Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge, the protagonist of A Christmas Carol by Charles Dickens. At the start of the story, he is a bitter miser, but by the end of the tale, he ...
Such a "round", dynamic character—that is, a character showing complexity and development—is generally a protagonist. [10] Or if lacking complexity and development—thus a "flat", static character—then the everyman is a secondary character.
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. [1] 30-degree rule
Flanderization is a widespread phenomenon in serialized fiction. In its originating show of The Simpsons, it has been discussed both in the context of Ned Flanders and as relating to other characters; Lisa Simpson has been discussed as a classic example of the phenomenon, having, debatably, been even more Flanderized than Flanders himself. [9]
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors.
Dynamic rounding - Dynamic rounding was a technique devised by Quantel for truncating the word length of pixels – an unavoidable byproduct of processing images. Rather than simply losing the lower bits, dynamic rounding uses their information to control, via a randomiser, the dither of the LSB of the truncated result.
This can sometimes be confused with a scribble on the cheek, indicating injury. Sometimes when the character is expressing strong emotions, such as sadness, a long blush through the nose would appear. Facial shape changes depend on the character's mood, and can look from round apple-shaped to a more subtle carrot shape. [citation needed]