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Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing bands ...
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
Gordon Goodwin (born 1954) (Big Phat Band) Glen Gray (1900-1963) ( Casa Loma Orchestra ) (1927-1963) George Gee (George Gee Swing Orchestra; formerly known as the Make-Believe Ballroom Orchestra)
Though some big bands survived through the late 1940s (Duke Ellington, Count Basie, Stan Kenton, Boyd Raeburn, Woody Herman), most of their competitors were forced to disband, bringing the swing era to a close. Big-band jazz would experience a resurgence starting in the mid-1950s, but it would never attain the same popularity as it had during ...
Western swing. Adolph Hofner (1932–1993) Bob Wills & His Texas Playboys ... The Quebe Sisters Band (2000–) Riders in the Sky (1977–) Shoot Low Sheriff (2008 ...
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw.
The Jazz Age: Popular Music in the 1920s. Oxford University Press US. ISBN 978-0-19-506082-9. Stanton, Scott (2003). The Tombstone Tourist: Musicians. Simon and Schuster. ISBN 978-0-7434-6330-0. Studwell, William Emmett; Baldin, Mark (2000). The Big Band Reader: Songs Favored by Swing Era Orchestras and Other Popular Ensembles. Haworth Press.
The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and Billy Strayhorn's "Take the 'A' Train" (1941). When the big bands struggled to keep going during World War II , a shift was happening in jazz in favor of smaller groups.