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The task of naming Greek vase shapes is by no means a straightforward one. The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka ’s 1829 book Recherches sur les veritables noms des vases grecs , whose confident assertion that he had rediscovered the ...
A new shape is the straight-sided cylindrical cup. [ 26 ] MMIA wares and local pottery imitating them are found at coastal sites in the eastern Peloponnese , though not more widely in the Aegean until MMIB; their influence on local pottery in the nearby Cyclades has been studied by Angelia G. Papagiannopoulou (1991).
Wheel-made pottery dates back to roughly 2500 BC. Before this, the coil method of building the walls of the pot was employed. Most Greek vases were wheel-made, though as with the Rhyton mould-made pieces (so-called "plastic" pieces) are also found and decorative elements either hand-formed or by mould were added to thrown pots. More complex ...
The coils were then smoothed together to create walls. The slab method used square slabs of clay to create boxes or types of additions like feet or lids for vessels. Once the pot was formed into the shape, then it would have been set to dry until it was leather hard. Then, the pot was painted, inscribed, or slipped.
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Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. [71] Within the next millennium, wares were decorated with elaborate painted designs and natural forms, incising and burnished.
Karahi – a type of thick, circular, and deep cooking-pot similar in shape to a wok that originated in the Indian subcontinent; Kazan – a type of large cooking pot used throughout Central Asia, Russia, and the Balkan Peninsula; Marmite – a traditional crockery casserole vessel found in France, it is known for its "pot-belly" shape. [29 ...
Its shape and method of manufacture are similar to those of the column krater, but the handles are unique: to make each, the potter would have first made two side spirals ("volutes") as decorative disks, then attached a long thin slab of clay around them both forming a drum with flanged edges.
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