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"Devil Woman" is a 1976 single by British singer Cliff Richard from his album I'm Nearly Famous. A worldwide hit on its original release, the song saw a resurgence in popularity after appearing in the film I, Tonya (2017), as the theme for the character of LaVona Golden, played by Allison Janney.
Devil Woman is a song written and recorded by American country music artist Marty Robbins. It was released in June 1962 as the first single and title track from the album Devil Woman . It was also Robbins' seventh single to reach number one on the country chart, spending eight weeks at the top spot. [ 1 ] "
"Devil Woman", a 2002 song by Poison from Hollyweird "Devil Woman", a 2005 song by Cradle of Filth from Nymphetamine; See also. The Devil Is a Woman (disambiguation)
[2] [3] [4] The lead single on the album, "Miss You Nights", made number 15 in the UK Singles Chart in early 1976, followed by "Devil Woman" which showed a new harder-edged side to Richard's music and became one of his biggest worldwide hits, peaking at number 9 in the UK and becoming his first US Top 10, reaching number 6 and earning a gold ...
When released as a single in late 1975, the song became the band's first worldwide hit. [5] According to Lynne, this song was the quickest he had ever written, in 30 minutes, originally as 'filler' for the group's Face the Music album. [5] The song placed in the top 10 on both sides of the Atlantic in early 1976.
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
The name Cruella de Vil is a pun of the words cruel and devil, an allusion that is emphasized by having her English country house nicknamed 'Hell Hall'. [3] The name 'de Vil' is also a literary allusion to Bram Stoker's Dracula (1897), in which the realty firm Mitchell, Sons & Candy write a letter to Lord Godalming, informing him that the purchaser of a house in Piccadilly, London is "a ...
Among those 15 additional songs on the second part of “Tortured Poets” is a track called “Robin,” a piano ballad in which Swift draws imagery of animals and alludes to adolescence.