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The Sunset Sound Recorders complex was created by Walt Disney's Director of Recording, Tutti Camarata, from a collection of old commercial and residential buildings.At the encouragement of Disney himself, Camarata began the project in 1958, starting with a former automotive repair garage whose sloping floor would tend to reduce unwanted sonic standing wave reflections.
The International Standard Recording Code (ISRC) is an international standard code for uniquely identifying sound recordings and music video recordings.The code was developed by the recording industry in conjunction with the ISO technical committee 46, subcommittee 9 (TC 46/SC 9), which codified the standard as ISO 3901 in 1986, and updated it in 2001.
The central concept of the system is a unique number, a PlusCode, assigned to each programme, and published in television listings in newspapers and magazines (such as TV Guide). To record a programme, the code number is taken from the newspaper and input into the video recorder, which would then record on the correct channel at the correct time.
The Sound Factory was built in the 1960s on Selma Avenue in Hollywood. At the time, it served as the home of Moonglow Records and the Moonglow Recording Studio. [1] In 1969, former RCA recording engineer and Warner/Reprise producer, David Hassinger purchased the Moonglow Records/Studio building and renamed it The Sound Factory. [2]
1989: Test broadcasts for NICAM stereo digital audio for broadcast TV began in the UK. 1990: Digital radio begins in Canada, using the L-Band. [51] 1991: Alesis Digital Audio Tape is a tape format used for simultaneously recording eight tracks of digital audio at once, onto Super VHS magnetic tape – a format similar to that used by consumer VCRs.
Elektra's Hollywood studio was used to record notable albums by The Doors, Bread, The Rolling Stones, The Stooges, Harry Chapin, Dan Fogelberg, Jackson Browne, and others. Selected list of albums recorded at Elektra (by year)
In the days of 78 rpm records, before recording tape was commonly used (up to approx. 1950), audio recordings were cut directly to disc. The recording studio would assign a number to the song to be recorded, which would become the main part of the matrix number, and several takes would be made, with the take number inscribed in the matrix area.
Studio cast recordings have become especially useful in the era of compact discs after being overshadowed for years by original cast albums - in nearly all cases, moderate to large numbers of songs (or instrumental music) were left out of original cast albums of older shows because there was simply no room for all of them on a single LP, even ...