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Studio C originally featured an 80-channel SSL 9000K mixing console, while Studio D features a 96-channel API mixing console. [8] Also in 2004, Blackbird Audio Rentals, headed by Rolff Zwiep, was launched to rent vintage and new equipment owned by the studio. [9] [4] In 2006 Blackbird added Studio F, a 750 square foot mix room.
"Dance with Me" is a song by American recording artist Kelly Clarkson from her seventh studio album, Piece by Piece (2015). Produced by Greg Kurstin , it was the first song written by Dan Rockett after collaborating with Polow da Don in his tenure as a studio runner and an audio engineer at Interscope Records .
"Dance with Me" is a 1975 hit single by American soft rock band Orleans from their second studio album, Orleans II (1974). Featuring a melodica solo by Larry Hoppen , "Dance with Me" was introduced on the band's second album, Orleans II , and later included on their third album Let There Be Music (1975).
Recording studios in Washington (state) (9 P) Pages in category "Recording studios in the United States" The following 72 pages are in this category, out of 72 total.
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor. Originally known simply as the RCA Victor Studio , in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
The typical recording studio consists of a room called the "studio" or "live room" equipped with microphones and mic stands, where instrumentalists and vocalists perform; and the "control room", where audio engineers, sometimes with record producers, as well, operate professional audio mixing consoles, effects units, or computers with ...
Elektra's Hollywood studio was used to record notable albums by The Doors, Bread, The Rolling Stones, The Stooges, Harry Chapin, Dan Fogelberg, Jackson Browne, and others. Selected list of albums recorded at Elektra (by year)
In the days of 78 rpm records, before recording tape was commonly used (up to approx. 1950), audio recordings were cut directly to disc. The recording studio would assign a number to the song to be recorded, which would become the main part of the matrix number, and several takes would be made, with the take number inscribed in the matrix area.