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The Naiad nymph Minthe, daughter of the infernal river-god Cocytus, became concubine to Hades, the lord of the Underworld and god of the dead. [9] [10] In jealousy, his wife Persephone intervened and metamorphosed Minthe, in the words of Strabo's account, "into the garden mint, which some call hedyosmos (lit. 'sweet-smelling')".
Christina Strunck, however, argues that the statue was created as an insult to the Ludovisis; interpreting the myth as the death of vegetation may be a slight at the start of the new, Ludovisi era, and Proserpina's capture may be a warning that the notoriously unhealthy Pope Ludovisi would not live long. [6]
Persephone was born so deformed that Rhea ran away from her frightened, and did not breastfeed Persephone. [56] Zeus then mates with Persephone, who gives birth to Dionysus. She later stays in her mother's house, guarded by the Curetes. Rhea-Demeter prophecies that Persephone will marry Apollo.
Perseis' name has been linked to Περσίς (Persís), "female Persian", and πέρθω (pérthō), "destroy" or "slay" or "plunder". [citation needed]Kerenyi also noted the connection between her and Hecate due to their names, denoting a chthonic aspect of the nymph, as well as that of Persephone, whose name "can be taken to be a longer, perhaps simply a more ceremonious, form of Perse ...
A votive plaque known as the Ninnion Tablet depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC). The Eleusinian Mysteries (Greek: Ἐλευσίνια Μυστήρια, romanized: Eleusínia Mystḗria) were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece.
The sculpture of the Greek goddess is meant to represent Persephone coming back from the underworld every spring to make the flowers and plants bloom. [2] In Fall 2011 a mural in the Johnson Room in Robertson Hall on the Butler campus was created. The 2,120 square-foot mural depicts notable landmarks at Butler, including Persephone. [3]
Ceres's love—a mother's love—challenges the power of the gods. [40] Shelley tells the story almost entirely from Ceres's point of view; "her play elegiacally praises female creativity and fecundity as 'Leaf, and blade, and bud, and blossom.' " [ 2 ] Shelley writes active, rather than passive, roles for Proserpine and Ceres.
Proserpine is the Latin spelling of Persephone, a goddess married to Hades, god of the underworld. According to some accounts, she had a garden of ever blooming flowers (poppies) in the underworld. The Greek and Roman festivals honoring her and her mother, Ceres, emphasized Proserpine's return to the upper world in spring. According to the ...