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Misanthropy is the general hatred, dislike, or distrust of the human species, human behavior, or human nature. A misanthrope or misanthropist is someone who holds such views or feelings. Misanthropy involves a negative evaluative attitude toward humanity that is based on humankind's flaws .
The Misanthrope, or the Cantankerous Lover (French: Le Misanthrope ou l'Atrabilaire amoureux; French pronunciation: [lə mizɑ̃tʁɔp u latʁabilɛːʁ amuʁø]) is a 17th-century comedy of manners in verse written by Molière.
Timon of Athens (/ ˈ t aɪ m ən / TY-mən; [citation needed] Ancient Greek: Τίμων ὁ Ἀθηναῖος, romanized: Tímōn ho Athēnaîos, gen. Τίμωνος, Tímōnos) was a citizen of Athens whose reputation for misanthropy grew to legendary status.
There, he founded the clothing label Misanthropy Clothing [3] in 2013. [1] In 2020 he formed the black metal band Make Them Die Slowly [4] [5] together with fellow musician Duncan Wilkins. They both operate under stage names. Mick Kenney as Officer R. Kordhell and Duncan Wilkins as The Void. [6] The band was formed as a celebration of vintage ...
Misanthropy [ edit ] In addition to the philanthropic arguments, which are based on a concern for the humans who will be brought into existence, Benatar also posits that another path to antinatalism is the misanthropic argument.
The term "targeted violence manifesto" was coined by Julia Kupper and J. Reid Meloy to describe publications that are "intended to justify an act of violence against a specific target by articulating self-identified grievances, homicidal intentions, and/or extreme ideologies for committing an attack."
Though Feiffer took the joke good-naturedly, a more cynical response would see here the Kryptonian's misanthropy, his misandry embodied in Clark and his misogyny in his wish that Lois be enamored of Clark (much like Oberon takes out hostility toward Titania by having her fall in love with an ass in Shakespeare's Midsummer-Night's Dream).
Nietzsche's focus is on the psychology and social life of the philosopher, identifying misanthropy and seclusion as the result of being motivated toward knowledge itself, regardless of any features of the philosopher's cosmology, physics, or epistemology. [3] Nietzsche concludes the essay by identifying a need to have art along with knowledge.