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Art historian Luis Álvarez Urquieta was one of the first authors to raise the issue of pre-Columbian art in his book "Pintura en Chile" (Painting in Chile). The author explains that most of the painting developed before the arrival of the Spanish was done by the Atacameño and Araucano cultures, and also identified Diaguita and Inca influences.
MANAGEMENT, VICENTE. Encyclopedia of Art in America: Biographies. Buenos Aires: OMEBA Editions, 1968. CULTURAL INSTITUTE OF PROVIDENCE. Chilean painting rescue. Text by José María Palacios. Santiago, 1981. PEREIRA SALAS, EUGENIO. Studies on the History of Art in Republican Chile. Santiago: Editions of the University of Chile, 1992. [6]
Cosme San Martín (1850–1906), painter and art teacher; Kamal Siegel (born 1978), digital artist; Pablo Siebel (born 1954), painter; Carlos Sotomayor (1911-1988), Cubist painter; Francisca Sutil (born 1952), painter
The Chilean Museum of Pre-Columbian Art (Spanish: Museo Chileno de Arte Precolombino) is an art museum dedicated to the study and display of pre-Columbian artworks and artifacts from Central and South America. [1] The museum is located in the city centre of Santiago, the capital of Chile.
The Chilean National Museum of Fine Arts (Spanish: Museo Nacional de Bellas Artes or MNBA), located in Santiago, Chile, is one of the major centers for Chilean art and for broader South American art. Established in 1880 (making it the oldest in South America), the organization is managed by the Artistic Union (Unión Artística).
Roberto Matta, Three Figures, 1958c, M.T. Abraham Foundation. It was Breton who provided the major spur to the Chilean's direction in art, encouraging his work and introducing him to the leading members of the Paris Surrealist movement. Matta produced illustrations and articles for Surrealist journals such as Minotaure.
For Chile, stained glass was imported in 1875, coinciding with the campaign to build an image of the new Chilean nation following independence. [2] To bolster this national identity and this new preference for everything European, stained-glass windows imported from Europe followed the image program dictated by Rome and the Roman Catholic Church .
Juan Francisco González Escobar [1] (Santiago, Chile, September 25, 1853 – Santiago, March 4, 1933) is known as one of the four Great Chilean Masters and as the archetypal romantic bohemian artist of the early 20th century.