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Italian architecture has also widely influenced the architecture of the world. [5] Moreover, Italianate architecture , popular abroad since the 19th century, was used to describe foreign architecture which was built in an Italian style, especially modelled on Renaissance architecture .
Italian architecture is heavily influenced from the Classical ideals of ancient Greek and ancient Roman civilizations. [2] early 15th century - The Renaissance architectural revolution masterpiece, Florence Cathedral. Completed in 1436, it challenged the ideals of architecture and engineering, especially Brunelleschi's dome. [2]
The emphatically classical church façade of Santa Maria Nova, Vicenza (1578–90) was designed by the influential Renaissance architect Andrea Palladio.. During the Italian Renaissance and with the demise of Gothic style, major efforts were made by architects such as Leon Battista Alberti, Sebastiano Serlio and Giacomo Barozzi da Vignola to revive the language of architecture of first and ...
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style combined its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture with picturesque aesthetics. The resulting style of architecture was ...
As a result, this classic style is a combination of a few other styles, including Georgian and Federal. ... Mediterranean houses blend Spanish and Italian architecture and are usually popular in ...
Palazzo Vecchio by night. The Palazzo Vecchio (Italian pronunciation: [paˈlattso ˈvɛkkjo] "Old Palace") is the town hall of Florence, Italy.It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
He was, however, hardly a slave to the classical forms and it was his style that was to dominate Italian architecture in the 16th century. [5] Mannerism (c. 1520–1600) The Piazza del Campidoglio. During the Mannerist period, architects experimented with using architectural forms to emphasize solid and spatial relationships. The Renaissance ...
The Italian group of architects Gruppo 7 (1926) embraced Rationalist and Modernist principles. After the dissolution of the group, its distinguished figures Giuseppe Terragni ( Casa del Fascio , Como ), Adalberto Libera ( Villa Malaparte in Capri ) and Giovanni Michelucci ( Santa Maria Novella Station in Florence , in collaboration) emerged.