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This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
Leaves of Grass (Book XXXIII. Songs of Parting) ; The Patriotic Poems IV (Poems of Democracy) 1865 Yet, Yet, Ye Downcast Hours " Yet, yet, ye downcast hours, I know ye also," Leaves of Grass (Book XXX. Whispers of Heavenly Death) 1860 Yonnondio " A song, a poem of itself—the word itself a dirge," Leaves of Grass (Book XXXIV. Sands at Seventy)
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 By the Seashore, Isle of Man 1833 "Why stand we gazing on the sparkling Brine," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Isle of Man 1833 "A youth too certain of his power to wade" Poems Composed or Suggested during a Tour in the Summer of 1833 1835
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
The twelve-line poem is divided into three quatrains and is an example of Yeats's earlier lyric poems. The poem expresses the speaker's longing for the peace and tranquility of Innisfree while residing in an urban setting. He can escape the noise of the city and be lulled by the "lake water lapping with low sounds by the shore."
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
“Where the Sidewalk Ends”, the title poem and also Silverstein’s best known poem, encapsulates the core message of the collection. The reader is told that there is a hidden, mystical place "where the sidewalk ends", between the sidewalk and the street. The poem is divided into three stanzas. Although straying from a consistent metrical ...
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.