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Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Where Plato's Socrates emphasizes self-knowledge, Xenophon's Socrates speaks more of self-control. Yet the Memorabilia also contains charming set-pieces (including Socrates' conversation with the glamorous courtesan Theodote in III.11, and his sharp exchanges with two of the Thirty Tyrants in I.2). And Xenophon likely aimed to reach a wider ...
A female aulos-player entertains men at a symposium on this Attic red-figure. The Symposium (Ancient Greek: Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. [1] In it, Socrates and a few of his companions attend a symposium (a dinner party at which Greek aristocrats could enjoy entertainment and discussion) hosted by Kallias for the young man Autolykos.
Plato's dialogue Ion, in which Socrates confronts a star player rhapsode, remains the most coherent source of information on these artists. Often, rhapsodes are depicted in Greek art, wearing their signature cloak and carrying a staff. This equipment is also characteristic of travellers in general, implying that rhapsodes were itinerant ...
Some of these dialogues employ Socrates as a character, but most simply employ the philosophical style similar to Plato while substituting a different character to lead the discussion. Boethius. Boethius' most famous book The Consolation of Philosophy is a Socratic dialogue in which Lady Philosophy interrogates Boethius. St. Augustine
For all these reasons Socrates concludes, it is wiser to copy the Spartans who, according to this dialogue, pray simply and in private (149a) while remaining victorious in battle and postpone the sacrifice that Alcibiades was planning until his head is clearer and he can distinguish more readily between good and evil (150e).
The parable stems from the Classical era of ancient Greece and is reported by Xenophon in Memorabilia 2.1.21–34. In Xenophon's text, Socrates tells how the young Heracles, as the hero contemplates his future, is visited by two allegorical figures, female personifications of Vice and Virtue (Ancient Greek: Κακία and Ἀρετή; Kakía and Areté).
Phaedrus and Socrates walk through a stream and find a seat in the shade. Phaedrus and Socrates both note how anyone would consider Socrates a foreigner in the countryside, and Socrates attributes this fault to his love of learning which "trees and open country won't teach," while "men in the town" will.