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"Look Through My Eyes" is a song by English recording artist Phil Collins from the Brother Bear film soundtrack released in 2003 as the first single. It was later recorded by Everlife for the Bridge to Terabithia soundtrack and the Disneymania 4 album.
Brother Bear: An Original Walt Disney Records Soundtrack is the soundtrack to Disney's 2003 animated feature film Brother Bear.It contains the film's score composed by Mark Mancina and Phil Collins, as well as songs written by Collins, and performed by Tina Turner, The Blind Boys of Alabama, Oren Waters, The Bulgarian Women's Choir, and even Collins himself.
Brother Bear is a 2003 American animated musical fantasy comedy-drama film produced by Walt Disney Feature Animation and released by Walt Disney Pictures.It was directed by Aaron Blaise and Robert Walker and produced by Chuck Williams, from a screenplay written by Tab Murphy, Lorne Cameron, David Hoselton, and the writing team of Steve Bencich and Ron J. Friedman.
"No Way Out" is a 2003 song by English drummer and singer-songwriter Phil Collins from the Brother Bear film soundtrack released in 2004 as the second and final single from the soundtrack. Two different versions of the song are placed onto the Brother Bear soundtrack. One is 4:18 minutes long and rock-driven, while the other is 2:37 minutes ...
Mitch Lucker first started performing music in the year 2000 with the band Breakaway, which would later become the Corona local metalcore band Dying Dreams. Dying Dreams featured Lucker on vocals and his brother Cliff on guitar, along with later Suicide Silence bandmates Josh Tufano on second guitar and Mike Olheiser on bass. [2]
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The Bear executive producers Josh Senior and Christopher Storer are avowed fans of ’90s music. As part of its second season, released last year, the show featured a rare remix of the 1994 R.E.M ...
A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.