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Into the Gap is the fourth studio album by British pop group Thompson Twins, released on 17 February 1984 by Arista Records. [3] The album was recorded during 1983 at Compass Point Studios, in Nassau, Bahamas, and was produced by Alex Sadkin who had produced the band's previous studio album, Quick Step & Side Kick (1983).
A reviewer from Music Week gave Boyzone's version of "Baby Can I Hold You" three out of five, declaring it as a "teary cover", that "will be a school disco favourite." [15] The magazine's Alan Jones wrote, "Still leading the pack of boy bands, Boyzone are going to have a massive hit with their thoughtful and poignant cover of Baby Can I Hold You Tonight, a fine Tracy Chapman song that somehow ...
Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitefield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.
"Slide" is a song by American alternative rock group Goo Goo Dolls. It was released as the first single from their sixth studio album, Dizzy Up the Girl , in September 1998. According to lead guitarist John Rzeznik , the song is about a Catholic girl who becomes pregnant and discusses with her boyfriend how they should respond to it.
Zazzle was launched from their garage by Robert, Bobby, and Jeffrey Beaver, and went live in 2005. [5] The company received an initial investment of US$16 million in July 2005 from Google investors John Doerr and Ram Shriram, [3] and an additional investment of US$30 million in October 2007.
Joe Pizzulo. Joe Pizzulo (born June 15, 1951) is an American vocalist best known as one of the lead singers on 1980s hit singles credited to Sérgio Mendes, including "Never Gonna Let You Go" [1] (from Mendes' self-titled 1983 album) and "Alibis" (from the 1984 album Confetti). Pizzulo has had several singles and soundtrack appearances, but he ...
The song was written by Damon Sharpe, Greg Lawson, Georgette Franklin, Jeremy Monroe and Amille D. Harris, and produced by Ric Wake, Richie Jones and Cory Rooney. At the time of the song's release, Lopez was transitioning into a sex symbol and in a relationship with American rapper Sean Combs. Lyrically, "Love Don't Cost a Thing" is described ...
Musically the song takes in multiple genres. The original version from the album is a more low-tempo influenced song, while the popular Todd Terry remix version is a more up-tempo dance-pop song. "Missing" was critically acclaimed by the majority of music critics, who praised the composition and generally considered it a highlight on the album.