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This is a category for plays originally written in the German language, by German, Austrian, Swiss or other applicable German-speaking playwrights. Subcategories This category has the following 9 subcategories, out of 9 total.
Download as PDF; Printable version; In other projects ... Appearance. move to sidebar hide. This is a list of German plays. A. Amphitryon (1807 ... Media related to ...
This is a list of German-language playwrights This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
German illustrator Rotraut Susanne Berner provided many full-page illustrations, as well as smaller drawings, for the book. [4] The Number Devil was first published in German in 1997. The Number Devil has been noted for its unorthodox abandonment of standard notation ; instead, Enzensberger created a variety of fictional terms to help describe ...
This list contains the names of persons (of any ethnicity or nationality) who wrote fiction, essays, or plays in the German language. It includes both living and deceased writers. Most of the medieval authors are alphabetized by their first name, not by their sobriquet
The Frankfurt Book Fair. German literature (German: Deutschsprachige Literatur) comprises those literary texts written in the German language.This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora.
The play was adapted into a 1924 Austrian silent film Spring Awakening directed by Luise Fleck and Jacob Fleck, and a 1929 Czech-German silent film Spring Awakening directed by Richard Oswald. In 1995 English poet Ted Hughes was commissioned by the Royal Shakespeare Company to write a new translation of the play. [19]
Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages.