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Nippon Herald Movies X [14] — March 1, 1971 [15] The World of Hans Christian Andersen [2] Al Kilgore [16] Chuck McCann Koro Yabuki [17] Toei Animation Sean Productions Inc. Hal Roach Studios [18] United Artists G N/A April 24, 1972: Cleopatra: Queen of Sex
Tokyo Godfathers (2003) It's time to talk about Satoshi Kon. It would be tempting to compare Kon to live action directors in the West given his striking cinematic language that feels, at times ...
The movie has a 100% rating on Rotten Tomatoes, ... Whether you consider it a single feature or three separate short films, the collection is undoubtedly one of the best anime movies on Netflix.
The Shinto religion has a delineation between the animate and inanimate. Shinto kami can be spirits, humans, objects, or in this case, robots. Therefore, robots are viewed favorably in both the manga and the film, but especially in the film, where there is a nearly equal number of robot and human characters.
The first anime and traditionally animated winner of the Academy Award for Best Animated Feature: Spirited Away at the 75th Academy Awards. They would later win this award for a second time with The Boy and the Heron at the 96th Academy Awards , marking the second time a traditionally animated film won the award.
On the review aggregator website Rotten Tomatoes, the film has an approval of 100%, based on 43 reviews, with an average rating of 8.1/10. The site's consensus is "A heart-pumping, breathtaking, wonderfully crafted manga adaptation, The First Slam Dunk shoots and scores."
Belle (竜とそばかすの姫, Ryū to Sobakasu no Hime, literally The Dragon and the Freckled Princess) is a 2021 Japanese animated science fantasy film written and directed by Mamoru Hosoda and produced by Studio Chizu.
Perfect Blue (Japanese: パーフェクトブルー, Hepburn: Pāfekuto Burū) is a 1997 Japanese animated psychological thriller film [5] [6] directed by Satoshi Kon. [7] It is loosely based on the novel Perfect Blue: Complete Metamorphosis (パーフェクトブルー：完全変態, Pāfekuto Burū: Kanzen Hentai) by Yoshikazu Takeuchi, with a screenplay by Sadayuki Murai.
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