Search results
Results from the WOW.Com Content Network
Chicago Sun-Times/Chicago Daily News collection/Chicago History Museum/Getty ImagesDuring Prohibition, enforcing the nation’s liquor ban was a game of cat and mouse. Smugglers, speakeasies, and ...
Ledger art flourished primarily from the 1860s to the 1920s. A revival of ledger art began in the 1960s and 1970s. The term comes from the accounting ledger books that were a common source of paper for Plains Indians during the late 19th century. Battle exploits were the most frequently represented themes in ledger art.
A push dagger (alternately known as a punch dagger, punch knife, push knife or, less often, a push dirk) is a short-bladed dagger with a "T" handle designed to be grasped and held in a closed-fist hand so that the blade protrudes from the front of the fist, either between the index and middle fingers or between the two central fingers, when the grip and blade are symmetrical.
Applied to the production of paper currency, copper-plate engraving allowed for greater detail and production during printing. It was the transition to steel engraving that enabled banknote design and printing to rapidly advance in the United States during the 19th century.
William B. Purvis (12 August 1838 – 10 August 1914) [1] was an African-American inventor and businessman who received multiple patents in the late 19th-century. His inventions included improvements on paper bags, an updated fountain pen design, improvement to the hand stamp, and a close-conduit electric railway system.
The penny knife was a originally a simple 18th century utility knife with a fixed blade. It got the name penny knife because it cost 1 penny in England and America towards the end of the 18th century. [1] The famous Fuller's Penny Knife helped gain the reputation of Sheffield, England, cutlers in the pre-industrial era of the early 18th century ...
Lost artworks are original pieces of art that credible sources or material evidence indicate once existed but that cannot be accounted for in museums or private collections, as well as works known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.
Landmark environmental portraiture and iconography of the Industrial Revolution and 19th century. [s 1] Two Ways of Life: 1857 Oscar Gustave Rejlander: Wolverhampton, England [22] Albumen print [s 1] La Vallée de l'Huisne (River Scene) 1857 Camille Silvy: Nogent-le-Rotrou, France Albumen print [s 1] Fading Away: 1858 Henry Peach Robinson