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The Victoria and Albert Museum has many examples of Scottish jewellery from the later half of the 19th century, both pebble styles and Celtic designs. [30] The modernist period of jewellery making began in Britain in the 1950s, inspired by the sleek, simple style of Scandinavian designs from earlier in the 20th century. [31]
Reverse of the brooch. The Tara Brooch is an Irish Celtic brooch, dated to the late 7th or early 8th century.It is of the pseudo-penannular type (with a fully closed head or hoop), [n 1] and made from bronze, silver and gold.
The Jewels of the Order of St Patrick, commonly called the Irish Crown Jewels, were the heavily jewelled badge and star created in 1831 for the Grand Master of the Order of St Patrick, an order of knighthood established in 1783 by George III to be an Irish equivalent of the English Order of the Garter and the Scottish Order of the Thistle.
The couple eventually created the brand "Iona Celtic Art" and produced some of their designs in English factories. [3] The Ritchies were active during the Arts and Crafts movement, which was present in Scotland as well as internationally. [3] They took inspiration from Celtic culture and produced jewelry with Celtic designs. [4]
Interlace, which is still seen as a "Celtic" form of decoration—somewhat ignoring its Germanic origins and equally prominent place in Anglo-Saxon and Scandinavian medieval art—has remained a motif in many forms of popular design, especially in Celtic countries, and above all Ireland, where it remains a national style signature.
Victorian web, gallery of "Victorian Jewelry: Celtic Revival Work in Ireland" Treasures of early Irish art, 1500 B.C. to 1500 A.D. , an exhibition catalogue from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Penannular brooches (cat. no. 40, 41, 42, 46–52)
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