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Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism . As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music .
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Religion. Postmodern religion – Religion influenced by postmodernism; History. Second modernity – Industrial society transformed into a more reflexive network society or information society; Opposed by. Altermodern – term for art that reacts against standardisation and commercialism
New sincerity (closely related to and sometimes described as synonymous with post-postmodernism) is a trend in music, aesthetics, literary fiction, film criticism, poetry, literary criticism and philosophy that generally describes creative works that expand upon and break away from concepts of postmodernist irony and cynicism.
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction'", [1] which values "textual unity and organicism as totalizing musical structures" like "latter-day modernists". [2] Neoconservative modernism...critically engages modernism, but rejects it out of hand.
The MTV Video Music Award for Best Post-Modern Video was first given out in 1989, and it was one of the four original genre categories added to the VMAs that year. The award was last presented in 1990 and the category was renamed Best Alternative Video the following year.
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research—of the early 20th century and postwar era.