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Examples include poems by Simmias of Rhodes in the shape of an egg, [2] wings [3] and a hatchet, [4] as well as Theocritus' pan-pipes. [ 5 ] The post-Classical revival of shaped poetry seems to begin with the Gerechtigkeitsspirale (spiral of justice), a relief carving of a poem at the pilgrimage church of St. Valentin, Kiedrich .
A diamante poem is a poem that makes the shape of a diamond. The poem can be used in two ways, either comparing and contrasting two different subjects, or naming synonyms at the beginning of the poem and then antonyms for the second half for a subject. In the poems, the subject is named in one word in the first line.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The image created by the words illustrates the text by expressing visually what it says, or something ...
Poems in the form of an altar reappear in the Baroque period, written by educated authors who had come across the shaped poems preserved in the Greek anthology.At the very beginning of this period, an altar was found to be a convenient shape for an epitaph, as in the anonymous tribute in Greek to the poet Philip Sydney in the Peplus Illustrissimi viri D. Philippi Sidnaei (1587), [5] and there ...
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The first 30 lines create a round mushroom top, while lines 30-190 create the pillar of debris and destruction rising up from the ground. Corso recalled the tradition of patterned or shape poetry, but made the irreverent choice to create the shape of the cloud that results from the detonation of a nuclear bomb.