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For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but again in no proportional relationship. (A full-size instrument is described as 4/4.)
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
The piano and harp represent the first method, where each note on the instrument has its own string or course of multiple strings tuned to the same note. (Many notes on a piano are strung with a "choir" of three strings tuned alike, to increase the volume.)
The player may tune the low E string down to the lowest note required in the piece: D or C. Four-string basses may be fitted with a "low-C extension" . Or the player may employ a five-string instrument, with the additional lower string tuned to C, or (more commonly in modern times) B, three octaves and a semitone below middle C. Several major ...
The two main four-string Selmer models were a regular tenor guitar with a smaller body and a 23 inch scale length for standard CGDA tuning, and the Eddie Freeman Special, with a larger body and a longer 25.5-inch scale length, using a reentrant tuning for the A string which was designed by English tenor banjoist Eddie Freeman to have a better ...
It is typically a five course (ten-string) instrument having a scale length between 20 and 22 inches (510 and 560 mm). The instrument is most often tuned to either D 2 –G 2 –D 3 –A 3 –D 4 or G 2 –D 3 –A 3 –D 4 –A 4 , and is essentially an octave mandola with a fifth course at either the top or the bottom of its range.
The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
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