Search results
Results from the WOW.Com Content Network
Shipping (derived from the word relationship) is the desire by followers of a fandom for two or more people, either real-life people or fictional characters (in film, literature, television series, etc.), to be in a romantic relationship. Shipping often takes the form of unofficial creative works, including fanfiction and fan art.
Anti-racist critiques of fanfiction are sometimes described as anti-ship by white fans, leading to an environment where these and other critiques are dismissed as "anti". [46] [47] [48] The pro-ship or anti-anti camp has also been criticized for harassment from their side, including harassment of people raising these critiques. Additionally ...
Other factors include the "undeveloped" canonical romantic relationship between Lupin and Tonks and the lack of attachment to any female character from Sirius. [11] Another major factor in the ship's popularity is Lupin's lycanthropy, as well as Black's status as a canine Animagus, a form of shape-shifter. Elliott wrote: "For many fans, Remus ...
Today's entertainment landscape is full of reboots and revivals of popular brands and shows, like "Scooby-Doo" and "Interview with the Vampire." Queer subtext is something historians and fans ...
Aleutie/getty imagesWith complaints of “long, tedious episodes, poor characterization, bad plotting and a general lack of focus,” being “both too much and not enough” and, broadly ...
Urashimasakatasen (Japanese: 浦島坂田船, Hepburn: Urashimasakatasen) is a male Japanese music group consisting of four members, Uratanuki, Shima, Tonari no Sakata (Aho no Sakata) and Senra.
One Piece Cast Photos: Live-Action vs. Animation. View List “One of the mandates from [manga creator] Eiichiro Oda was against romance on the crew,” co-showrunner Steven Maeda tells TVLine.
Fictosexuality and fictromance are occasionally regarded as a form of parasocial relationship in media studies and game studies. [10] [11] Xiwen Liao claims that research on parasocial relationships often centers on unidirectional attachment from the audience to the character, thereby overlooking the intricate and diverse relationships between fictosexuals or fictromantics, and fictional ...