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String bending is a guitar technique where fretted strings are displaced by application of a force by the fretting fingers in a direction perpendicular to their vibrating length. This has the net effect of increasing the pitch of a note (or notes as the case may be).
The technique is executed by holding the edge of the pick against any of the three or four wound strings and moving it along the string. As the pick moves across the string, the edge of the pick catches the string's windings in rapid succession causing the string to vibrate and produce a note. This rapid rattling of the pick's edge against the ...
Apoyando ("supporting") is a method of brushing the string used in both classical guitar and flamenco guitar known in English as "rest stroke." The rest stroke gets its name because after brushing the string, the finger rests on the adjacent string after it follows through, giving a slightly rounder, often punchier sound (contrasted with tirando).
A non-vibrating string is pressed partly with the left hand — not to the neck — then struck, plucked or bowed with the other hand. [5] A struck string sound includes a muffled click; a bowed string, a scratchy noise. The string may be touched with the tip of one or more fingers, or with one or more fingers laid flat across the neck.
A pinch harmonic (also known as squelch picking, pick harmonic or squealy) is a guitar technique to achieve artificial harmonics in which the player's thumb or index finger on the picking hand slightly catches the string after it is picked, [10] canceling (silencing) the fundamental frequency of the string, and letting one of the overtones ...
This category lists guitar-specific techniques. For techniques applicable to other instruments, or related theoretical concepts, see Musical performance techniques . Subcategories
The technique is widely used in many modern classical works on bowing instruments. The extended technique involves bowing the instrument on the afterlength, the short length of string behind the bridge. The tone is very high and squeaky. By playing the instrument at a string part behind the bridge, the opposed part starts to resonate.
Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/timbral variation are mostly determined by the hand that physically produces the sound. In other words, the hand that ...