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Osamu Tezuka (手塚 治虫, born 手塚 治, Tezuka Osamu, () 3 November 1928 – 9 February 1989) was a Japanese manga artist, cartoonist and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques and innovative redefinitions of genres earned him such titles as "the Father of Manga" (マンガの父, Manga no Chichi), "the Godfather of Manga" (マンガの教父 ...
"Iron Arm Atom") is a Japanese anime television series based on Osamu Tezuka's manga of the same name. [3] It premiered on Fuji TV on New Year's Day, 1963 (a Tuesday) and is the first popular animated Japanese television series that embodied the aesthetic that later became familiar worldwide as anime. [4]
First project from Tezuka Productions approved after Tezuka's death 1997 In the Beginning: The Bible Stories: Produced from 1984 to 1992; co-production with Radiotelevisione Italiana (Italy) 2000 Tree in the Sun: 2003 Astro Boy: 2003 Black Jack: The 4 Miracles of Life: Miniseries 2004 Black Jack: 2004 Phoenix: 2006 Black Jack 21: 2015 Young ...
The first anime short-films were made by three leading figures in the industry. ... Astro Boy, created by Osamu Tezuka, premiered on Fuji TV on January 1, 1963.
Tezuka met Walt Disney at the 1964 World's Fair, at which time Disney said he hoped to "make something just like" Tezuka's Astro Boy. [29] A Japanese IMAX featurette was made in 2005, based on the 2003–2004 anime, titled "Astro Boy vs IGZA", but has only been shown in Japan.
Image of Kimba from the anime Kimba the White Lion. The animated series was first broadcast in Japan on Fuji Television from October 6, 1965, to September 28, 1966. [9] It was the first color TV anime series. [citation needed] Other than the original broadcast in Japan in 1965, the series has been broadcast in many countries around the world.
Tezuka had already left the company by then, having stepped down as acting director in 1968 and formed a new animation studio, Tezuka Productions (which made such works as Marvelous Melmo and Unico). The company was later reestablished on November 26, 1977, and has continued to operate as "legacy company".
The first two are also notable for having scores by famed composer and electronic rearranger Isao Tomita. The third, Belladonna , made without Tezuka's direct involvement, is more serious than its predecessors and more avant-garde still, telling its story largely through pans over still, panoramic paintings with narration.