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The lengthy full title of both the opera and the poem is The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatyr Prince Gvidon Saltanovich and of the Beautiful Princess-Swan (Russian: Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне ...
Edward Tsanga (Russian: Цанга, Эдуард Николаевич; Syktyvkar, 20 October 1979 – 14 January 2017, Saint Petersburg) was a Russian operatic bass-baritone at the Mariinsky Opera. [ 1 ] [ 2 ] His video recordings include roles in two operas under Valery Gergiev : as the tsar in Rimsky-Korsakov 's The Tale of Tsar Saltan , and ...
The Tale of Tsar Saltan, of His Son the Renowned and Mighty Bogatyr Prince Gvidon Saltanovich and of the Beautiful Swan-Princess (Russian: «Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной царевне Лебеди», romanized: Skazka o tsare Saltane, o ...
Singer Leonard Warren died after performing in the opera La forza del destino at the New York Metropolitan Opera. He had sung Don Carlo's act III aria, which begins Morir, tremenda cosa ("to die, a momentous thing"), when he started coughing and gasping. He fell face first to the ground and it was revealed he had died of a massive heart attack.
Guidon (The Tale of Tsar Saltan by Rimsky-Korsakov) – December 1, 1963; The young actor (October by V. Muradeli) – April 24, 1964; Chekalinsky (The Queen of Spades by Tchaikovsky) – July 23, 1964; Hindu guest (Sadko by Rimsky-Korsakov) – January 8, 1965; Lysander (Midsummer Night's Dream by B. Britten) – December 8, 1965
On this stage, she performed the leading opera parts composed for high soprano (lyrical coloratura soprano), such as Antonida (A Life for the Tsar), The Snow Maiden (Snegurochka), The Swan-Princess (The Tale of Tsar Saltan), Marfa (The Tsar's Bride), the Queen of Shemakha/Shemakhan Tsaritsa (The Golden Cockerel), Violetta (Verdi's La traviata ...
The Times wrote of her, following her performance in London of Rimsky-Korsakov's Tsar Saltan in 2008, "The best of the young bunch was Viktoria Yastrebova, whose dark, rich and powerful soprano made one wonder if the phrase “the next Anna Netrebko” might finally be justly deployed." [7]
By 1993 she became the soloist of the theatre. She used to travel for performances as well to such opera houses as Metropolitan, Hamburg and Vienna State Operas.From 1997 to 1998 she sang Mozart's The Magic Flute at the Wallonian Royal Opera and the same year was a participant of the Salzburg Festival where she sang another Mozart's work called Mitridate, re di Ponto under Roger Norrington's ...