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The "Twelfth of Never" will never come to pass. [4] A song of the same name was written by Johnny Mathis. "On Tibb's Eve" refers to the saint's day of a saint who never existed. [5] "When two Sundays come together" [6] "If the sky falls, we shall catch larks" means that it is pointless to worry about things that will never happen. [7]
Other acronyms to make the list include IRL and WFH—despite the latter dominating workplace conversations for well over four years. The 10 most confusing workplace acronyms for workers 1.
To talk too much; To say many words without the words meaning anything. Speculated to be used as early as 1592 to express annoyance and irritation. Became a TikTok trend in 2023 for someone who talks too much, or whose talking does not make sense. [186] yeet (/ j iː t / ⓘ) To throw something with force and without regard.
The guy asked to make another statement after getting a tongue lashing from the judge. And he did it again - telling her to go f**k herself. And got another 6 months.
Or start with the smallest task. On the other hand, some people feel more productive when they tackle little jobs first. A sense of accomplishment early in the day can drive the rest of your work.
The effectiveness of a pattern of three items has also been noted in the visual arts. Cartoonist Art Spiegelman described the rule of three as being key to the work of Nancy creator Ernie Bushmiller, giving the example that "a drawing of three rocks in a background scene was Ernie's way of showing us there were some rocks in the background. It ...
That's where smart technology comes in handy: Hearing a voice remind you that it’s time to do something is the simplest way to make a mental switch from one task to another.
The use of tautologies, however, is usually unintentional. For example, the phrases "mental telepathy", "planned conspiracies", and "small dwarfs" imply that there are such things as physical telepathy, spontaneous conspiracies, and giant dwarfs, which are oxymorons. [8] Parallelism is not tautology, but rather a particular stylistic device.