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The album title, a term for decompression sickness, references Radiohead's rapid rise to fame with "Creep"; Yorke said "we just came up too fast". [56] John Leckie , who produced The Bends , recalled that EMI hoped for a single "even better" than "Creep" but that Radiohead "didn't even know what was good about it in the first place". [ 57 ]
The art of Radiohead singer Thom Yorke and Stanley Donwood, the artist behind the band’s album covers, will be featured together for the first time in a public exhibition. The exhibition called ...
With Radiohead's fourth album, Kid A (2000), Yorke moved into electronic music, influenced by Warp acts such as Aphex Twin. For most of his career, he has worked with the producer Nigel Godrich and the cover artist Stanley Donwood. Yorke's solo work comprises mainly electronic music. His debut solo album, The Eraser, was released in 2006.
In 2009, Radiohead released two non-album singles: "Harry Patch (In Memory Of)", a tribute to the last surviving World War I soldier Harry Patch, [21] and "These Are My Twisted Words", a free download. [22] Radiohead's eighth album, The King of Limbs (2011), emphasises the rhythm section with extensive samples and loops.
[1] [2] Their debut single, "Creep", remains their most successful, entering the top 10 in several countries. Their second album, The Bends, released in March 1995, reached number four in the UK and is certified triple platinum. [1] Radiohead's third album, OK Computer, was released in May 1997. It remains their most successful album, reaching ...
The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993). Work began at RAK Studios, London, in February 1994. Tensions were high, with pressure from Parlophone to match sales of Radiohead's debut single, "Creep", and progress was slow.
It was the fifth Radiohead album nominated for the Mercury Prize, making Radiohead the most shortlisted act in Mercury history, [202] and was nominated for Best Alternative Music Album and Best Rock Song (for "Burn the Witch") at the 59th Annual Grammy Awards. [203] It appeared on several publications' lists of the best albums of the year.
The Music and Art of Radiohead is a collection of academic essays on the band Radiohead edited by Joseph Tate. [1] It was published in May 2005 by Ashgate Publishing in their Popular and Folk Music Series (ISBN 0-7546-3979-7). It's one of "only a handful of academic studies" devoted to the band's work. [2]
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