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Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.
William Turner RWS (29 November 1789 – 7 August 1862) was a British painter who specialised in watercolour landscapes. He is often known as William Turner of Oxford or just Turner of Oxford to distinguish him from his contemporary, J. M. W. Turner (known as William). Many of Turner's paintings depicted the countryside around Oxford. [1]
The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
The Author was in this Storm on the Night the "Ariel" left Harwich) [1] is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842. [ 2 ] [ 3 ] Though panned by many contemporary critics, critic John Ruskin commented in 1843 that it was "one of the very grandest statements of sea-motion, mist and light, that has ever ...
The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage is an 1832 marine history painting by the English artist Joseph Mallord William Turner. [1] [2] It depicts an event from the Glorious Revolution of 1688 when William III had landed at Brixham.
William Turner (1762–1835), one of the English Turner family of potters; see Turner (potters) J. M. W. Turner (William Turner, 1775–1851), major English Romantic landscape painter, watercolourist and printmaker; William Turner (painter) (1789–1862), English watercolour painter from Oxford; William Greene Turner (1833–1917), American ...
Interior of a Gothic Church is an early oil on board painting by English artist Joseph Mallord William Turner, made c. 1797. [ 1 ] Painted on a mahogany board, it depicts the interior of an unidentified church, probably in or near London, with pointed Gothic masonry arches, and wooden furniture including a tall pulpit, pews, and a depiction of ...
Turner's paired piece titled Shade and Darkness – The Evening of the Deluge was also exhibited in 1843. In this piece as well as The Morning After the Deluge, Turner makes no attempt to mirror the scene of the flood in its naturality. [3] Fallacies of Hope is a poem that Turner supposedly wrote to parallel the two paintings. [5]