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Early speaker cable was typically stranded copper wire, insulated with cloth tape, waxed paper or rubber. For portable applications, common lampcord was used, twisted in pairs for mechanical reasons. Cables were often soldered in place at one end. Other terminations were binding posts, terminal strips, and spade lugs for crimp connections.
AES50 is a point-to-point interconnect which carries multiple channels of AES3, PCM or DSD bitstream formats, along with system clock and synchronisation signals, over Cat 5 cable using 100 Mbit/s Fast Ethernet physical layer. AES50 uses the four pairs of the Cat 5 cable in the 8P8C connector: Audio data transmit + Audio data transmit –
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
Monster was founded in 1979 by Noel Lee as Monster Cable Products. [1] Lee, an audiophile and engineer, was experimenting with different copper qualities, wire constructs and winding methods of audio cables in his family's garage and comparing them while listening to Tchaikovsky's 1812 Overture.
RG-59 coaxial cable is commonly packed with consumer equipment, such as VCRs or digital cable/satellite receivers. Manufacturers tend to include only RG-59 cables because it costs less than RG-6 does. However, given the short lengths provided (usually 4–6 ft or 1.2–1.8 m), this is generally sufficient for its typical use.
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