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The following other wikis use this file: Usage on en.wikisource.org Index:Æsop's fables- (IA aesopfables00aesoiala).pdf; Page:Æsop's fables- (IA aesopfables00aesoiala).pdf/1
Toggle Aesop's Fables subsection. 1.1 Titles A–F. 1.2 Titles G–O. 1.3 Titles R–Z. 2 References. ... Download as PDF; Printable version; In other projects ...
A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
Aesop and the Ferryman; List of Aesop's Fables; Androcles; The Ant and the Grasshopper; The Ape and the Fox; The Ass and his Masters; The Ass and the Pig; The Ass Carrying an Image; The Ass in the Lion's Skin; The Astrologer who Fell into a Well
David Edgar Walther prefers the term 'short operatic drama' for his Aesop's Fables (2009), a 12-minute cycle with libretto by the composer in which "The Fox and The Raven" appears as the first of three pieces. The fable was also choreographed by Dominique Hervieu in 2003 for Annie Sellem's composite ballet project, Les Fables à la Fontaine. In ...
Aesop's Fables (previously titled Aesop's Film Fables and Aesop's Sound Fables) is a series of animated short subjects, created by American cartoonist Paul Terry. [1] Produced from 1921 to 1934, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930).
Illustration of La Fontaine's fable by Gustave Doré. The Fox and the Sick Lion is one of Aesop's Fables, well known from Classical times and numbered 142 in the Perry Index. [1] There is also an Indian analogue. Interpretations of the story's meaning have differed widely in the course of two and a half millennia.
In the Latin versions of Walter of England, [5] Odo of Cheriton [6] and Heinrich Steinhöwel's Aesop, [7] for example, the word umbra is used. At that time it could mean both reflection and shadow, and it was the latter word that was preferred by William Caxton, who used Steinhöwel's as the basis of his own 1384 collection of the fables. [8]