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Pages in category "Paintings of Christ carrying the cross" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. B.
Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
Christ Carrying the Cross is an oil painting by El Greco, produced early in his Toledo period circa de 1580. [1] The picture depicts Christ in a moment of personal reflection as he carries the cross to his death, therefore committing the ultimate sacrifice for humankind.
Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]
[201] The riverboatman's cry was "mark twain" or, more fully, "by the mark twain", meaning "according to the mark [on the line], [the depth is] two [fathoms]"; that is, "The water is 12 feet (3.7 m) deep and it is safe to pass." Twain said that his famous pen name was not entirely his invention. In Life on the Mississippi, Twain wrote:
Your unexpected, unintended, even undesired cross-bearing moment will come! And your eternal impacting decision must be made. Remembering Simon the Cyrene, who carried the cross for Jesus on his ...
Pages in category "Christ carrying the cross in art" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. ...
The icon was finished towards the end of the 15th century. Christ is shown carrying a cross. The scene is the traditional Golgotha portion of the Crucifixion sequence. The soldiers on the right are dressed in armor modeled after Venetian attire, while the soldiers on the left of the painting wear Byzantine- or Cretan-styled armor.