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Clapperboard. A clapperboard, also known as a dumb slate, clapboard, film clapper, film slate, movie slate, or production slate, is a device used in filmmaking, television production and video production to assist in synchronizing of picture and sound, and to designate and mark the various scenes and takes as they are filmed and audio-recorded.
A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
The scene cards are arranged and rearranged until the optimum structure is worked out. [2] It is the full story in its simplest form, moving from the concept , to the theme , to the character , to the detailed synopsis of about four to eight pages of master scenes .
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
A production board, stripboard, or production strip is a filmmaking term for a chart displaying color-coded strips of paper, each containing information about a scene in the film's shooting script. [1]
One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis. Jacques Aumont and Michel Marie in their publication 'Analysis of Film' [1] propose key points regarding film analysis. (1 ...
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The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity. Analyzed this way, a film is composed of one or more acts ; acts include one or more sequences; sequences are divided into one or more scenes ; and scenes may be thought of as being built out of shots (if one is ...