Search results
Results from the WOW.Com Content Network
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records .
B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album Completely Well, released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. [4] The song's polished production and use of strings marked a departure from both the original song and King's previous material.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
"Three O'Clock Blues" – 3:01 "Please Love Me" – 2:48 "You Upset Me Baby" – 3:01 "Sweet Sixteen" – 6:12 "Rock Me Baby" – 2:58 "How Blue Can You Get" – 2:41 "Every Day I Have the Blues" – 2:41
On this album B. B. King mixed elements of blues and rock music. Producer Bill Szymczyk decided to follow up on the success of the hit "The Thrill Is Gone" by matching King with a musical all-star cast. The result was one of King's most critically acclaimed albums and one of the most highly regarded blues crossover albums of all time.
A staff review by AllMusic commented: . By 1967, King had refined his singing and guitar style to a fine point. What was just beginning to emerge during this period was King the showman, the singer with a story to tell his audience and nowhere was this more apparent than in his live performances.