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The Creatures of Prometheus (German: Die Geschöpfe des Prometheus), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given 28 performances.
[3] The theme was a favourite of Beethoven's. He had used it in the finale of the ballet music he composed for The Creatures of Prometheus (1801), as well as for the seventh of his 12 Contredanses, WoO 14 (1800-02), before being the subject of the variations of this work and of the later symphony. [1] It begins thus:
English: A chamber arrangement from the ballet The Creatures of Prometheus by Ludwig van Beethoven, performed in 1986.It's an example of the range and tone quality of the basset-horn, an instrument primarily used during the classical period; the piano and oboe are also used.
In music, Op. 43 stands for Opus number 43. Compositions that are assigned this number include: Atterberg – Aladdin Beethoven – The Creatures of Prometheus Chopin – Tarantelle
A chamber arrangement from the ballet The Creatures of Prometheus by Ludwig van Beethoven. It's an excellent sample of the range and distinctive tone quality of the basset-horn, an instrument primarily used during the classical period. The performers are Leila Storch (oboe), William McColl (basset-horn), and Anita Cummings (piano).
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Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.