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Operettas by composer: Paul Abraham (1892–1960) Victoria und ihr Husar (1930) ... The Desert Song (1926) The New Moon (1928) Hans Schanzara (1897–1984)
The audience at the Théâtre des Bouffes-Parisiens, the birthplace of Jacques Offenbach's operettas. Caricature of 1860 by Émile Bayard. Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, [1] and length of the work. [2]
One of the most famous Viennese operettas. [158] 1905 Salome (Richard Strauss). A scandalous success at its premiere, Strauss's "decadent" opera set to Oscar Wilde's play is still immensely popular with today's audiences. [159] 1906 Maskarade (Nielsen).
1 Operas and operettas. 2 Orchestral works. 3 Piano works. 4 Songs. 5 Other vocal works. ... See Songs of Emmanuel Chabrier. Other vocal works. Cocodette et Cocorico ...
In the 19th century, the most popular Gilbert and Sullivan songs and music were adapted as dance pieces. [192] Many musical theatre and film adaptations of the operas have been produced, including the following: The Swing Mikado (1938; Chicago – all-black cast) The Hot Mikado (1939) and Hot Mikado (1986) The Jazz Mikado (1927, Berlin)
Le Brésilien, one-act 'comédie-vaudeville' by Meilhac and Halévy, songs by Offenbach, first performed at the Théâtre du Palais-Royal, 9 May 1863. The 'Ronde du Brésilien' became a popular number for café-concerts.
=> "It is one of Sousa's most famous operettas." "Although Sousa considered this operetta one of his best work"=> "Although Sousa considered this operetta one of his best works" "In late 1939, "The Goose Girl's Song", a song from this operetta was rearranges" => "In late 1939, "The Goose Girl's Song", a song from this operetta, was rearranged"
French popular music is a music of France belonging to any of a number of musical styles that are accessible to the general public and mostly distributed commercially. It stands in contrast to French classical music , which historically was the music of elites or the upper strata of society.