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In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.
In the words of Henry Edward Manning, avarice "plunges a man deep into the mire of this world, so that he makes it to be his god". [18] As defined outside Christian writings, greed is an inordinate desire to acquire or possess more than one needs, especially with respect to material wealth. [27] Aquinas considers that, like pride, it can lead ...
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Inordinate self-esteem is called "pride". [32] Classical Christian theology views pride as being the result of high self-esteem, and thus [non sequitur] high self-esteem was viewed as the primary human problem, but beginning in the 20th century, "humanistic psychology" diagnosed the primary human problem as low self-esteem stemming from a lack ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
They are two natures or substances, divine and human, united in one person. In contrast with various Greek philosophical views, the material body (and the soul) is not seen as inherently evil, but inherently good. The Christian doctrine of salvation therefore does not imply a redemption from the body, but a redemption of the body and the soul. [4]
The Man of Sorrows from the New Town Hall in Prague, wood sculpture, c. 1410; Giovanni Bellini and others, Triptych of the Madonna, 1464–1470, now Venice; Geertgen tot Sint Jans, Man of Sorrows, c. 1485–1495, now Utrecht; Sandro Botticelli, The Man of Sorrows, c. 1500–1510; Maarten van Heemskerck, Man of Sorrows, 1532
The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
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