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Child Jesus Salvator Mundi (17th century), Portugal. Salvator Mundi, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a globus cruciger.
Salvator Mundi (Latin for 'Savior of the World') is a painting attributed in whole or part to the Italian High Renaissance artist Leonardo da Vinci, dated c. 1499–1510. Long thought to be a copy of a lost original veiled with overpainting , it was rediscovered, restored, and included in an exhibition of Leonardo's work at the National Gallery ...
Quod scripsi, scripsi (Latin for "What I have written, I have written") is a Latin phrase. It was most famously used by Pontius Pilate in the Bible in response to the Jewish priests who objected to his writing "King of the Jews" on the sign that was hung above Jesus at his Crucifixion. It is mostly found in the Latin Vulgate Bible. [1]
Heliand excerpt from the German Historical Museum. The Heliand (/ ˈ h ɛ l i ən d /) is an epic alliterative verse poem in Old Saxon, written in the first half of the 9th century.. The title means "savior" in Old Saxon (cf. German and Dutch Heiland meaning "savior"), and the poem is a Biblical paraphrase that recounts the life of Jesus in the alliterative verse style of a Germanic ep
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context.
Jesus came to be called "Jesus Christ" (meaning "Jesus the Khristós", i.e. "Jesus the Messiah" or "Jesus the Anointed") by Christians, who believe that his crucifixion and resurrection fulfill the messianic prophecies of the Old Testament, especially the prophecies outlined in Isaiah 53 and Psalm 22. [12]
Saint Veronica and the Veil of Veronica miraculously imprinted with the face of Jesus. Hans Memling, about 1470 (National Gallery of Art, Washington, D.C.). Vindicta Salvatoris (In English: The Avenging of the Saviour or The Vengeance of the Saviour) is a text of New Testament Apocrypha that expands the story of the aftermath of Jesus's execution.