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Sindhi folklore (Sindhi: لوڪ ادب) is composed of folk traditions which have developed in Sindh over many centuries.Sindh thus possesses a wealth of folklore, including such well-known components as the traditional Watayo Faqir tales, the legend of Moriro, the epic tale of Dodo Chanesar and material relating to the hero Marui, imbuing it with its own distinctive local colour or flavour in ...
Ghazal poets frequently use this story as a simile or reference point to portray their love as similarly obsessive and pure. [40] Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [42]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages.
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Bal-i-Jibril is regarded as the peak of Iqbal's Urdu poetry. It consists of ghazals , poems, quatrains , epigrams and advises the nurturing of the vision and intellect necessary to foster sincerity and firm belief in the heart of the ummah and turn its members into true believers.
Habba Khatoon's music pushed her poetry gradually into learned circles and those who had fled on the works of immortals like Firdausi, Omar and Hafez were bound to raise their eyebrows at first. This wobbling of Habba Khatoon under her peculiar compulsions and with her own limitations created the symphony of romantic words running side by side ...