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Suddenly taken by a fever on 18 May, he died on 22 May. A seventeenth-century pamphlet credited to Ayres, titled A short Account of the Life and Death of Pope Alexander VII, contains many fascinating details about Alexander's passing. According to this pamphlet, Alexander, although bedridden, wanted to celebrate the Passion to ready himself for ...
An account of the banquet appears in the Liber Notarum of Johann Burchard, the Protonotary Apostolic and Master of Ceremonies. This diary, a primary source on the life of Alexander VI, was preserved in the Vatican Secret Archive; it became available to researchers in the mid-19th century when Pope Leo XIII opened the archive, although Leo expressed specific reluctance to allow general access ...
The papal diary first mentions the monument as early as August 9, 1656. [7] After his death, the project was directed and paid for by Alexander's nephew, Cardinal Flavio Chigi. [8] Under Pope Clement IX, the tomb was originally to be placed in the choir of Santa Maria Maggiore. After Clement's death, the idea was abandoned and the location ...
XII Apostoli (received the title on 15 March 1666), then cardinal-priest of S. Crisogono (1 December 1681), cardinal-priest of S. Maria in Trastevere (13 November 1684), cardinal-bishop of Sabina (28 February 1689), cardinal-bishop of Palestrina (8 August 1691), cardinal-bishop of Porto e S. Rufina (27 January 1698), † 29 June 1698
When Pope Clement VII assigned this palace as the perpetual residence of the Vice Chancellor, he provided that the Vice Chancellor should always have the title of the Basilica; as the Chancellors were not always of the same order in the Sacred College, being either cardinal-deacons, cardinal-priests, or cardinal-bishops, this basilica could not ...
The term "cardinal virtues" (virtutes cardinales) was first used by the 4th-century theologian Ambrose, [1] who defined the four virtues as "temperance, justice, prudence, and fortitude". [2] These were also named as cardinal virtues by Augustine of Hippo , and were subsequently adopted by the Catholic Church .
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She was buried with conspicuous honours 'almost like a Cardinal' in the Church of Santa Maria del Popolo, near her son, the Duke of Gandia. An official character was imparted to the ceremony by the presence of the papal Court. Pope Leo X in this way recognised Vannozza either as the widow of Alexander VI or as the mother of the Duchess of Ferrara."