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Live Forever: September 23, 1980 • Stanley Theatre • Pittsburgh, PA is a live album by Bob Marley & The Wailers released in February 2011, recorded at Pittsburgh's Stanley Theatre during the Uprising Tour to support their, then, latest album of the same name.
The Uprising Tour was a concert tour organised to support the album Uprising by Bob Marley and the Wailers. It was Marley's last tour [ 1 ] and the biggest music tour of Europe in that year. The tour started at the Hallenstadion in Zürich , Switzerland, where Marley performed for the first time, on 30 May 1980, and ended at the Stanley Theater ...
Uprising is the twelfth studio album by Bob Marley and the Wailers and the final studio album released during Marley's lifetime. Released on 10 June 1980, the album is one of Marley's most directly religious, with nearly every song referencing his Rastafarian beliefs, culminating in the acoustic recording of "Redemption Song".
It was followed by Burnin', which included the song "I Shot the Sheriff". Eric Clapton's cover of the song became a hit in 1974. Bob Marley proceeded with Bob Marley and the Wailers, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with "No Woman, No Cry", from the Live! album.
"Forever Loving Jah" is a song by Bob Marley. It is the ninth track on Bob Marley & the Wailers' ninth album, Uprising, produced by Chris Blackwell and released by Island Records. As of today, there is only one confirmed live performance which took place during the Uprising Tour's US leg on September 19, 1980, at Madison Square Garden, being ...
— Bob Marley and the Wailers, “Redemption Song” “So, come with me, to a land of liberty, / Where we can live, live our lives and be free.” — Bob Marley and the Wailers, “400 years”
"Redemption Song" is a song by Jamaican singer Bob Marley. It is the final track on Bob Marley and the Wailers' twelfth album, Uprising, produced by Chris Blackwell and released by Island Records. [3] The song is considered one of Marley's greatest works.
And then you record that song so that it feels like Bob has an idea and a band writing and recording the song.” A live recording of Marley existed, captured with only two microphones on stage.
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