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John Weldon "J. J." Cale [1] (December 5, 1938 – July 26, 2013) was an American guitarist, singer, and songwriter. Though he avoided the limelight, [2] his influence as a musical artist has been acknowledged by figures such as Neil Young, Mark Knopfler, Waylon Jennings, and Eric Clapton, who described him as one of the most important artists in rock history. [3]
In Session at the Paradise Studios, Los Angeles, 1979 ... Live album by Eric Clapton with special guest JJ Cale; 47
Live in San Diego [1] (alternatively known as Live in San Diego with special guest JJ Cale) [2] is the thirteenth live album (and a live DVD) by British rock musician Eric Clapton. It was released through Reprise Records as a live album on 30 September 2016 [3] and as a 2-hour live DVD on 10 March 2017. [4]
The Breeze: An Appreciation of JJ Cale is a collaborative studio album featuring Eric Clapton and a host of other musicians. It consists of covers of songs by J. J. Cale, who had died the previous year. It was named after Cale's 1972 single "Call Me the Breeze". It was produced by Clapton and Simon Climie.
J. J. Cale and Eric Clapton. The Road to Escondido is a collaborative studio album by J. J. Cale and Eric Clapton.It was released on 7 November 2006. Contained on this album are the final recordings of keyboardist Billy Preston.
The Crossroads Guitar Festival 2004 is a concert film, released by the British rock musician Eric Clapton.It documents live performances and interviews by various guitar players Clapton admires and is the first official Crossroads Guitar Festival.
Lyrically, Cale makes a rare foray into political songwriting with “The Problem,” an indictment of then-President George W. Bush with lines like, “The man in charge, he don't know what he's doing, he don't know the world has changed.” “Stone River” is an understated protest song about the water crisis in the West.
There are no major surprises on Cale's tenth outing; fans get the same dependable, unassuming, comfy results, like a well-worn but form-fitting pair of slippers. Subtle licks percolate and resonate from the front-porch jam session on "Jailer" and "Low Rider." "Lonesome Train" and "Shady Grove" choogle along, as amiable as they are hypnotic.
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